JUDE C0W4N M0NTAGUE / STEVE LAYT0N - CA1RO C0MPRESS1ON (2015)
Four short text-based soundworks composed in response to photographs, broadcast on Resonance FM, and released on Linear Obsessions. Layton provides restrained, airy and meditative sonic touches to these poetic snapshots. Cowan's voice is prim and inquisitive, her words forming clear pictures and evocative mini-narratives with what is otherwise hazy washes of text and unclear contexts. In under 12 minutes, this recording put us in a mood.... We put it on repeat. (More of the music for art genre here)
Dreammapping (Dreamsnapping)....
Monday, 29 May 2017
Tuesday, 23 May 2017
LESL1 DALABA - TIMELINES (2004)
A sonic response to evolutionary history from the origins of life through climactic disasters, natural selection, mass extinctions, ice ages and human migration. Based on the artist's research into geophysics and archeology, the music is composed in temporally relative terms (recording comes with a timeline). The results are spectacular--elemental and beautiful. With Z. Parkins, I. Mori, C. Kihlstedt, and A. Denio.
Dreaming, deep time.
A sonic response to evolutionary history from the origins of life through climactic disasters, natural selection, mass extinctions, ice ages and human migration. Based on the artist's research into geophysics and archeology, the music is composed in temporally relative terms (recording comes with a timeline). The results are spectacular--elemental and beautiful. With Z. Parkins, I. Mori, C. Kihlstedt, and A. Denio.
Dreaming, deep time.
MAR4IS & M1RANDA - NATURE S0NGS (FR0M BALLADS FR0M THE AGE OF SC1ENCE) (1963)
A charming science-for-children album that some of us might have had the privilege to hear when we were young. The few grating melodic moments, and somewhat dated approach to natural science do not lessen the impact of this fantastic educational document, whether you have kids, a deep-seeded nostalgic compulsion, or an interest in innovations in recording, arranging or orchestration. Or, of course, if you are fascinated with the dreamy auratic potential of historical documents themselves.
Dream it...
A charming science-for-children album that some of us might have had the privilege to hear when we were young. The few grating melodic moments, and somewhat dated approach to natural science do not lessen the impact of this fantastic educational document, whether you have kids, a deep-seeded nostalgic compulsion, or an interest in innovations in recording, arranging or orchestration. Or, of course, if you are fascinated with the dreamy auratic potential of historical documents themselves.
Dream it...
Wednesday, 17 May 2017
J0N - J0N (1995)
A low-fi masterwork of twisted lullabies and dissonant, avant nursery rhymes from Japan's Shoko Uehara. These songs are made with pump organ, ukulele, cat meows and a child-like voice that seems to trail off course once or twice per song. Apparently there is a performative element lost in her recording--Uehara often appeared live wearing a dog costume. We LOVE this CD, and are tickled to share its dreamy, lilting, entrancing sounds with you all.
A low-fi masterwork of twisted lullabies and dissonant, avant nursery rhymes from Japan's Shoko Uehara. These songs are made with pump organ, ukulele, cat meows and a child-like voice that seems to trail off course once or twice per song. Apparently there is a performative element lost in her recording--Uehara often appeared live wearing a dog costume. We LOVE this CD, and are tickled to share its dreamy, lilting, entrancing sounds with you all.
Monday, 15 May 2017
DEL1A DERBYSH1RE - INVENT10NS FOR RAD1O: DREAMS (1964)
Derbyshire added subtle electronic touches to this collaboration with Barry Bermange for, what I can tell, BBC Radio in 1964. The provenance of this work is a bit unclear. I received the files from a friend, but there have been three or four unofficial reissues, one of which has supplied us the cover art. (We have more Derbyshire here!)
This is a mesmerizing project--a collage project of people describing their dreams, set into a the context of a "dreamwork" itself. Another essential research document of our field of study here at OWOD.
Inventions for dreaming...
Derbyshire added subtle electronic touches to this collaboration with Barry Bermange for, what I can tell, BBC Radio in 1964. The provenance of this work is a bit unclear. I received the files from a friend, but there have been three or four unofficial reissues, one of which has supplied us the cover art. (We have more Derbyshire here!)
This is a mesmerizing project--a collage project of people describing their dreams, set into a the context of a "dreamwork" itself. Another essential research document of our field of study here at OWOD.
Inventions for dreaming...
K1M S0-HEE - P'ANS0RI (K0REA'S EP1C VOC4L ART & INSTRUMENTAL MUS1C (1972)
Music for Korean musical dramas--a blend of classical, folk and pop meant primarily to supplement theatrical performances. Korean national treasure Kim So-Hee supplied vocals next to an all-star band on gayageum, haegeum, flute, janguu, and kuhmoongo (For those who love these sounds and instruments, check out this previous gayageum post).
Music for reverie and revelry...
Music for Korean musical dramas--a blend of classical, folk and pop meant primarily to supplement theatrical performances. Korean national treasure Kim So-Hee supplied vocals next to an all-star band on gayageum, haegeum, flute, janguu, and kuhmoongo (For those who love these sounds and instruments, check out this previous gayageum post).
Music for reverie and revelry...
M4RGARET LENG TAN - THE ART OF THE T0Y P1ANO (1997)
The off-kilter, slightly out-of-tune sound of the toy piano becomes the ground for lullaby-ish takes on classical, avant and popular song...Satie, Beethoven, Klucevsek, J. Wolfe, Lennon/McCartney... A child-like naivety infuses the recording, aided too by the use of whistles, melodica, cheap drum machines and a toy accordion.
Dreamy...
The off-kilter, slightly out-of-tune sound of the toy piano becomes the ground for lullaby-ish takes on classical, avant and popular song...Satie, Beethoven, Klucevsek, J. Wolfe, Lennon/McCartney... A child-like naivety infuses the recording, aided too by the use of whistles, melodica, cheap drum machines and a toy accordion.
Dreamy...
EV1YAN - EVIY4N LIVE (2013)
This trio is composed of violinist/vocalist I. Bittova, guitarist G. Riley, and clarinetist E. Ziporyn. Recorded live in Victoriaville, Quebec, this is a kind of free-folk improvisation, seductive and strange. Bittova's embodied performative style comes across well, as does the wealth of tonalities these three musicians can produce: lament, freak-out, pastoral, rock ballad and soundscape. A must-have item for new music lovers in general, and Bittova fans in particular.
"Short Walk" to an "Odd Meeting"...
This trio is composed of violinist/vocalist I. Bittova, guitarist G. Riley, and clarinetist E. Ziporyn. Recorded live in Victoriaville, Quebec, this is a kind of free-folk improvisation, seductive and strange. Bittova's embodied performative style comes across well, as does the wealth of tonalities these three musicians can produce: lament, freak-out, pastoral, rock ballad and soundscape. A must-have item for new music lovers in general, and Bittova fans in particular.
"Short Walk" to an "Odd Meeting"...
H0MLER / FAJT / WAEGEMAN - C0RNE DE VACHE (1997)
Ms. Homler, the mastermind of Breadwoman (find it here), is joined by Czech percussionist Fajt (known well for his work with Iva Bittova), Belgian multi-instrumentalist Waegeman, and (on a few tracks) sax-man Koen Van Roy. Another fantastic live document from Les Disques Victo and the heydays of Festival International de Musique Actuelle de Victoriaville.
Dream...
Ms. Homler, the mastermind of Breadwoman (find it here), is joined by Czech percussionist Fajt (known well for his work with Iva Bittova), Belgian multi-instrumentalist Waegeman, and (on a few tracks) sax-man Koen Van Roy. Another fantastic live document from Les Disques Victo and the heydays of Festival International de Musique Actuelle de Victoriaville.
Dream...
Sunday, 14 May 2017
ART0 L1NDSAY - CU1DAD0 M4DAME (2017)
Pop day from Mr. Lindsay, one of our perennial all-time favorites. This is his first solo release in 13 years: pure magic, dream and fantasy with atabaques-driven Candomblé textures, lascivious lyrics, spikey guitar and plenty of lush studio wizardry. We have sure missed him!
..... it...
(More Arto here)
Pop day from Mr. Lindsay, one of our perennial all-time favorites. This is his first solo release in 13 years: pure magic, dream and fantasy with atabaques-driven Candomblé textures, lascivious lyrics, spikey guitar and plenty of lush studio wizardry. We have sure missed him!
..... it...
(More Arto here)
Saturday, 13 May 2017
G4B0R SZABO - DREAMS (1968)
Jazz to infuse our daysleeps and nightdreams...
This is a gypsy-tinged work of avant-lounge guitar fingerwork, french horn seduction and orchestral longing. And, as it reminds us, "half the day is night."
This is a gypsy-tinged work of avant-lounge guitar fingerwork, french horn seduction and orchestral longing. And, as it reminds us, "half the day is night."
STEVE L4CY - STRAWS (1977)
Our eighth DIVerso entry (out of twelve) finds Lacy playing multi-part/layer soprano works and tapes, and recorded in the wonderful DIVerso way...the incredible sense of acoustic tonality (and space) of the series thus far.
Check here to scroll back through the series...
In the meantime, chew your pillow listening to this...
Our eighth DIVerso entry (out of twelve) finds Lacy playing multi-part/layer soprano works and tapes, and recorded in the wonderful DIVerso way...the incredible sense of acoustic tonality (and space) of the series thus far.
Check here to scroll back through the series...
In the meantime, chew your pillow listening to this...
JAWB0NE OF AN ASS: MUS1CA DE CUBA PRE-CASTR0 (1955)
Popular Cuban folk-jazz from the pre-revolutionary nightclub days. Features the quijada, the titular instrument--a percussive rattle made from actual donkey jaws, and teeth.
More party music to dream to, as well as of...
Popular Cuban folk-jazz from the pre-revolutionary nightclub days. Features the quijada, the titular instrument--a percussive rattle made from actual donkey jaws, and teeth.
More party music to dream to, as well as of...
H0RV1TZ, MORRIS, PREV1TE w/ FR1SELL & WIESELMAN PLAY R0B1N H0LCOMB - T0DOS S4NTOS (1988)
More 1980s new-music with an all-star lineup of innovators and virtuosi playing the gorgeous music of Ms. Holcomb.
"Nightbirds..."
More 1980s new-music with an all-star lineup of innovators and virtuosi playing the gorgeous music of Ms. Holcomb.
"Nightbirds..."
W4RPED DREAMER - L0MAH0NGVA (2016)
A Belgian-Norwegian quartet that dishes out a kind of jazz detritus (or "residue" as they call it) with sharp improvisation, careful composition, wicked blowing, electronic interventions and noisy diversions.
Dreams, neither bent nor broken, but close...
A Belgian-Norwegian quartet that dishes out a kind of jazz detritus (or "residue" as they call it) with sharp improvisation, careful composition, wicked blowing, electronic interventions and noisy diversions.
Dreams, neither bent nor broken, but close...
Friday, 12 May 2017
AFRICA: WITCHCRAFT AND R1TUAL MUSIC (1975)
To purge some of the demons of our last daemonic posts, we present this attempt at exorcism. Of course, it can be easily said this album replicates much of the baroque--and nonsensical--spiritual dreamwork of the albums below. Nonetheless, we in good faith present these fantastic, indeed "spell-binding," Fanshawe field recordings from Kenya and Tanzania as some sort of therapeutic offering for whatever demons we may have attracted or repelled with the last posting. We'll likely have to post another offering later to quell the demons we evoke with this exoticist offering...an exorcism of an exorcism, exoticization of the exotic...infinite regress, progress. (Nonesuch did change the title in later issues, thankfully particularizing the two actual nations from the continent).
To purge some of the demons of our last daemonic posts, we present this attempt at exorcism. Of course, it can be easily said this album replicates much of the baroque--and nonsensical--spiritual dreamwork of the albums below. Nonetheless, we in good faith present these fantastic, indeed "spell-binding," Fanshawe field recordings from Kenya and Tanzania as some sort of therapeutic offering for whatever demons we may have attracted or repelled with the last posting. We'll likely have to post another offering later to quell the demons we evoke with this exoticist offering...an exorcism of an exorcism, exoticization of the exotic...infinite regress, progress. (Nonesuch did change the title in later issues, thankfully particularizing the two actual nations from the continent).
Saturday, 6 May 2017
ANT0N LAVEY - THE SATAN1C MASS (1968)
The High Priest of the Church of Satan leads this mass in San Francisco on a September Friday the 13th, III Annos Satanas. It's a live recording, and carries the faults of its production. But underneath the unrelenting didactic poetry of the sermon (with, it would seem, its fairly quotidian Libertarian message), is some innovative orchestration and electronic-aided vespers sonority. Like all sermons, this is performance art. The album documents this orgy of propaganda, its fervor of raving nonsense.
This album kicks off a few odes to the dark majesties--a well-rendered dreamworld within our already baroque religious cultural narratives.
"Do what thou wilt shall be the whole of the Law..."
The High Priest of the Church of Satan leads this mass in San Francisco on a September Friday the 13th, III Annos Satanas. It's a live recording, and carries the faults of its production. But underneath the unrelenting didactic poetry of the sermon (with, it would seem, its fairly quotidian Libertarian message), is some innovative orchestration and electronic-aided vespers sonority. Like all sermons, this is performance art. The album documents this orgy of propaganda, its fervor of raving nonsense.
This album kicks off a few odes to the dark majesties--a well-rendered dreamworld within our already baroque religious cultural narratives.
"Do what thou wilt shall be the whole of the Law..."
MARC W1LKINS0N - BL00D ON SATAN'S CL4W (1971)
Evocative soundtrack to P. Haggard's film, finally released in 2007. The folk horror aspects of the film are keenly reflected in this work of haunting beauty and pastoral menace, highlighted by use of the Ondes Martenot and the Cimbalom, a Hungarian-style dulcimer.
Dreaming...
Evocative soundtrack to P. Haggard's film, finally released in 2007. The folk horror aspects of the film are keenly reflected in this work of haunting beauty and pastoral menace, highlighted by use of the Ondes Martenot and the Cimbalom, a Hungarian-style dulcimer.
Dreaming...
A.A. ALLEN - CRYING DEM0NS (c. 1980?)
Put out by Miracle Revival Recordings, the album gives us the controversial pentecostal evangelist himself doing his Voice of Healing type of sermon and exorcism.... These are "amazing recordings of demons speaking through people who are possessed by them."
Dream it to believe it...
Put out by Miracle Revival Recordings, the album gives us the controversial pentecostal evangelist himself doing his Voice of Healing type of sermon and exorcism.... These are "amazing recordings of demons speaking through people who are possessed by them."
Dream it to believe it...
THE L0UV1N BR0THERS - SATAN IS REAL (1959)
A well-produced and (at times) captivating slice of country gospel, warning us of Satan's ways, his guises and disguises, and of course an offer of the antidote to temptation and evil. When the songs aren't offering petty judgement, small-minded bigotry they are actually quite funny and catchy. Dreamdevil.
A well-produced and (at times) captivating slice of country gospel, warning us of Satan's ways, his guises and disguises, and of course an offer of the antidote to temptation and evil. When the songs aren't offering petty judgement, small-minded bigotry they are actually quite funny and catchy. Dreamdevil.
RUTH WH1TE - FL0WERS OF EV1L (1969)
We end our posts of the day with "an electronic setting of the poem of Charles Baudelaire." Ms. White (b. 1925) was an electronic sound pioneer, and a fan of the Moog. She also faithfully translated Baudelaire's poem herself into English. Fantastic!
Dream...
We end our posts of the day with "an electronic setting of the poem of Charles Baudelaire." Ms. White (b. 1925) was an electronic sound pioneer, and a fan of the Moog. She also faithfully translated Baudelaire's poem herself into English. Fantastic!
Dream...
Friday, 5 May 2017
J4GWA MUS1C - B0NGO H0THEADS (2012)
Just a needed dose of kick-ass Tanzanian mchiriku--a particular rapid-fire sub-genre of "bongo flava" street party music from the suburbs of Dar es Salaam. The Jagwa collective has been ripping this music for over 20 years in various incarnations. Mchriku, a kind of hiphop, is a collision of Taraab coastal rhythms, biting social commentary, and megaphone-amplified Casio keyboards. Breakneck swagger.
Dream it ...
Just a needed dose of kick-ass Tanzanian mchiriku--a particular rapid-fire sub-genre of "bongo flava" street party music from the suburbs of Dar es Salaam. The Jagwa collective has been ripping this music for over 20 years in various incarnations. Mchriku, a kind of hiphop, is a collision of Taraab coastal rhythms, biting social commentary, and megaphone-amplified Casio keyboards. Breakneck swagger.
Dream it ...
Wednesday, 3 May 2017
DAV1D WATS0N - SK1RL (1999)
Bagpipe saturated mayhem and magic from the long-deceased Avant label, Japan. Collaborations with C. Baptista, A. Haas, T. Buck, C. Bard, J. Pugliese and others.
Dream it...
Bagpipe saturated mayhem and magic from the long-deceased Avant label, Japan. Collaborations with C. Baptista, A. Haas, T. Buck, C. Bard, J. Pugliese and others.
Dream it...
GREENP0T BLUEP0T - DAYMARES & N1GHTDREAMS (2001)
A studied, self-consciously outré album of folk-inflected noise, off-kilter cabaret, shamanistic lullaby, and cynical artpop. Appropriately titled and seemingly one step ahead of many of the interests and ideas that try, somewhat failingly, to hold this blog together. A smart, moody album that seems to veer slightly in the direction of mares over dreams.
Dreamares, perhaps....
A studied, self-consciously outré album of folk-inflected noise, off-kilter cabaret, shamanistic lullaby, and cynical artpop. Appropriately titled and seemingly one step ahead of many of the interests and ideas that try, somewhat failingly, to hold this blog together. A smart, moody album that seems to veer slightly in the direction of mares over dreams.
Dreamares, perhaps....
K1M D00 S00 - DANCE 0F THE HUNCHB4CK (2015)
Whispery barbiturate psych-folk with a dose of pastoral new-age existentialism, arcadian dread. Or so it seems: perhaps the lyrics tell a different story. I have no idea. Heart-softening, despondent beauty. Translations welcome.
Dreaming in the land of no wind...
Whispery barbiturate psych-folk with a dose of pastoral new-age existentialism, arcadian dread. Or so it seems: perhaps the lyrics tell a different story. I have no idea. Heart-softening, despondent beauty. Translations welcome.
Dreaming in the land of no wind...
D0UGLAS QU1N - ANTARCT1CA (1998)
"Bernie Krause presents" this wonderful follow-up to the producer's own recordings in Alaska (here). Recorded primarily in the Ross Dependency of the southernmost continent, this album is comprised of faunal vocalizations that would put any sound poet to shame and "deep" elemental field recordings that outpace the most trance-inducing, deep-listening electronic composition.
Another brilliant album of nature sound from Miramar's "Wild Sanctuary."
"Bernie Krause presents" this wonderful follow-up to the producer's own recordings in Alaska (here). Recorded primarily in the Ross Dependency of the southernmost continent, this album is comprised of faunal vocalizations that would put any sound poet to shame and "deep" elemental field recordings that outpace the most trance-inducing, deep-listening electronic composition.
Another brilliant album of nature sound from Miramar's "Wild Sanctuary."
STEVE MART1N - PURE DR1VEL (1998)
Our narrative interlude comes from Mr. Martin reading from what is seemingly, and mainly, a suite of comedic fictional essays--a kind of speculative non-fiction of the mundane. Conventions of narrative and argumentation are toyed with and dressed in each others clothes. Further lessons in writing, in the ability to guide the brain to dream meaning into what the author declares openly as nonsense.
Dreaming...
Our narrative interlude comes from Mr. Martin reading from what is seemingly, and mainly, a suite of comedic fictional essays--a kind of speculative non-fiction of the mundane. Conventions of narrative and argumentation are toyed with and dressed in each others clothes. Further lessons in writing, in the ability to guide the brain to dream meaning into what the author declares openly as nonsense.
Dreaming...
JESÚS V1LLA-R0JO - CLAR1NETTISS1MO (1976)
We'll keep the DIVerso journey going with #4 (our seventh selection), an offering of clarinet skronk by this Spanish composer and woodwind specialist. Typically cataloged in the realm of classical concert music, the work--composed as it may be--refuses to settle into any easily recognizable sense of structure. Villa-Rojo coaxes all possible sonic potential out of the object called a clarinet, including perhaps its demons.
Unsettling,
some dreams are...
We'll keep the DIVerso journey going with #4 (our seventh selection), an offering of clarinet skronk by this Spanish composer and woodwind specialist. Typically cataloged in the realm of classical concert music, the work--composed as it may be--refuses to settle into any easily recognizable sense of structure. Villa-Rojo coaxes all possible sonic potential out of the object called a clarinet, including perhaps its demons.
Unsettling,
some dreams are...
M1CHAEL SIEGEL - THE S0UNDS OF THE JUNK YARD (1964)
Compared to its companion, Sounds of the Office, this series of field-recordings comes across as a far more visceral kind of representation, a more material and urgent document. Set into vinyl, these mostly unheard, ignored, unnoticed, forgotten, marginalized, repressed, or unwanted mechanical rumblings become foreground sounds, unlike the background sounds of the office. As a record, the sonic abstractions of labor and capital take an indexical form, and materialize here within realm of the aural...
Dreamworking...
Compared to its companion, Sounds of the Office, this series of field-recordings comes across as a far more visceral kind of representation, a more material and urgent document. Set into vinyl, these mostly unheard, ignored, unnoticed, forgotten, marginalized, repressed, or unwanted mechanical rumblings become foreground sounds, unlike the background sounds of the office. As a record, the sonic abstractions of labor and capital take an indexical form, and materialize here within realm of the aural...
Dreamworking...
SUS4N BUCK-M0RSS - "THE CITY AS DREAMWORLD AND CATASTROPHE" (1995)
A favorite article on the dreamwork, and dreamworlds, underlying capital and it cultural surfeit. Buck-Morss urges a rethink of aesthetics in relationship to somatic or bodily knowledge under the impact of modernity.
‘The industrial metropolis became a landscape of techno-aesthetics, a dazzling, crowd-pleasing dreamworld that provided total environments to envelope the crowd’
‘Dreams, too, have entered into this electronic space’ of communication and media which ‘provide mass reproduction of the image.'
S0LEX - AH0Y! THE S0UNDMAP OF THE NETHERLANDS (2013)
The artist took a boat through all 12 provinces of Holland recording local musicians. As a constraint, the musicians played to a loop they could hear through headphones, but could not hear what the others were playing. Solex then edited and reassembled the recordings into this soundmap. The results are a folksy cut-up sample collage, a kind of shuffle-beat techno-blues.
Appalachian Lowlands ....Pays-bas, Là-bas...
The artist took a boat through all 12 provinces of Holland recording local musicians. As a constraint, the musicians played to a loop they could hear through headphones, but could not hear what the others were playing. Solex then edited and reassembled the recordings into this soundmap. The results are a folksy cut-up sample collage, a kind of shuffle-beat techno-blues.
Appalachian Lowlands ....Pays-bas, Là-bas...
PETER BR0DER1CK - MUS1C F0R A SLEEP1NG SCULPTURE OF PETER BR0DER1CK (2009)
A sleep-track to an artwork, courtesy of Slaapwel in Belgium, a label devoted to producing music with which to fall asleep. Here we have an Efterklang co-conspirator going full-on sleep therapist. Very beautiful. Shockingly effective. (More music for art here)
Dormez bien...
A sleep-track to an artwork, courtesy of Slaapwel in Belgium, a label devoted to producing music with which to fall asleep. Here we have an Efterklang co-conspirator going full-on sleep therapist. Very beautiful. Shockingly effective. (More music for art here)
Dormez bien...
M1CH4L TURTLE - MUS1C FR0M THE LIVING R00M (1983)
An EP of experimental electronic... dreambound synths and keys to take you back to the 80s...the one no-one ever had... the one we can do over.
#"Phantoms of Dreamland"...
An EP of experimental electronic... dreambound synths and keys to take you back to the 80s...the one no-one ever had... the one we can do over.
#"Phantoms of Dreamland"...
SP1KE MILLIGAN - THE Q5 PIANO TUNE / N1NG NANG N0NG (7", 1969)
Two short BBC radio tunes from the creative polymath and comedic genius. "Ning Nang Nong" is a funny, oriental-sounding little country and western ditty whose lyrics go from something like "Old MacDonald's Farm" into a translingual glossolalia. Nothing can prepare one for "Q5" however, a surreal soundpoem ragtime collage piece of hilarity. Clearly this is one of the most delightful things committed to vinyl.
Dream it...
Two short BBC radio tunes from the creative polymath and comedic genius. "Ning Nang Nong" is a funny, oriental-sounding little country and western ditty whose lyrics go from something like "Old MacDonald's Farm" into a translingual glossolalia. Nothing can prepare one for "Q5" however, a surreal soundpoem ragtime collage piece of hilarity. Clearly this is one of the most delightful things committed to vinyl.
Dream it...
YAQUI D4NCES: THE PASC0LA MUS1C OF THE YAQUI IND1ANS OF N0RTHERN MEX1CO (1957)
Fiesta music from an indigenous people native to the area that is now, largely, the states of Sonora and Arizona. Pascolas are ritual performances, historical reenactments, invocations, and of course the ritual of the party. Fiddle-driven country-folk music with driving, trance-inducing edges and swirling, serialist wormholes.
Dreaming high, high desert...
Fiesta music from an indigenous people native to the area that is now, largely, the states of Sonora and Arizona. Pascolas are ritual performances, historical reenactments, invocations, and of course the ritual of the party. Fiddle-driven country-folk music with driving, trance-inducing edges and swirling, serialist wormholes.
Dreaming high, high desert...
Tuesday, 2 May 2017
TERRY R1LEY - SAL0ME DANCES F0R PE4CE (1989)
Today we post three CDs purchased on the same day in 1992, from a sale bin of deleted items, with holes punched into the jewel cases. What follows is one longish and two shortish releases from the now defunct combo Elektra/Nonesuch label. All three cost $14.
Today we post three CDs purchased on the same day in 1992, from a sale bin of deleted items, with holes punched into the jewel cases. What follows is one longish and two shortish releases from the now defunct combo Elektra/Nonesuch label. All three cost $14.
First up is Riley's epic collaboration with Kronos, in their original and classic incarnation. Lots to "peacefully" drift off to here, indeed: Part1, P2.
STEVE RE1CH - THE F0UR SECT10NS / MUS1C FOR MALLET INSTRUMENTS (1990)
Next up, Mr. Reich. The first piece is for orchestra, and is performed by the "four sections" of the LSO. The second is wonderful sidenote in the composer's oeuvre--a work for mallets, voice and organ performed by Reich & Musicians. (More Reich posted here a few days ago.)
Dream it...
Next up, Mr. Reich. The first piece is for orchestra, and is performed by the "four sections" of the LSO. The second is wonderful sidenote in the composer's oeuvre--a work for mallets, voice and organ performed by Reich & Musicians. (More Reich posted here a few days ago.)
Dream it...
KR0N0S QU4RTET / AST0R P1AZZ0LLA - F1VE TANGO SENSAT1ONS (1991)
Lastly we present our second dose of Astor at OWOD, a follow-up to this masterpiece. More lovely bordello melancholia with the Kronos Quartet. Goes down like sonic absinthe, or whatever Argentine equivalent.
Drink it to dream it....
Lastly we present our second dose of Astor at OWOD, a follow-up to this masterpiece. More lovely bordello melancholia with the Kronos Quartet. Goes down like sonic absinthe, or whatever Argentine equivalent.
Drink it to dream it....
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